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David Moolten
RUSHMORE
In memory of the activist, Anna Mae Aquash
They mask what they overlook, the bluffs
Around them, the reservations, Wounded Knee,
Legacy's raw and obdurate terrain.
Once there was a woman; not far, 1970s.
Ninety miles and a nation away,
An early spring unveiled her, hard as sculpture,
Slain under months of snow.
Now they've exhumed
Her case, still shaping the truth. Well, it's simple:
There are no human shrines. She drank herself out
Of a smashed marriage, gave breath to songs, some shrill
As Dakota wind, smuggled food through a standoff
With marshals, had a way with children, especially
Her own.
One might contrast her unfinished work
With that of Gutzon Borglum, worshipful son
Of immigrants, who slowly carved while strung
From a bosun's seat, defaced Red Cloud's Black Hills
Then at the dedication confessed the land
As stolen. He never rendered the "wild and carefree"
Natives, though he yearned to.
Some will say who
Knew about the bullet in her head. Some will say
Almost anything, like the FBI whispering
Threats in one ear, bribes in the other,
Who may have used her as an informer
Or hinted that they did.
She wasn't Cary Grant's
Impeccable blond, the government spy
He saves in North by Northwest, dangling
From the monument while a subversive goon grinds
His hand with a shoe. It was Nixon stepping
On everyone's rights, obsessed with sympathizers,
A cinch to badmouth. But what of Lincoln,
She'd have asked, sad bass of the quartet, the one
With a conscience deep in the monolith, hanging
38 Sioux in Mankato because the settlers whooped
For hundreds, his moonlit cheek a sheer drop?
Maybe one day a repentant artist
Will idolize Leonard Peltier with granite
In the shadow prison a Bad Lands ridge of pines
Projects at dusk, Russel Means storming Rushmore.
But with Anna, he'll never have a chance.
How does one capture her smile, her daughters
So terribly young? Some people you can't make
Out of stone. Once they're gone, they're gone.