Ashes
in Midair by
Susan Settlemyre Williams, published in 2008!
"Susan
Settlemyre Williams’s Ashes in Midair is a
marvelous book that, at times, seems almost epic. This poet
maps the elemental and the essential side-by-side, and we are drawn
into the
necessary
fabric of these sonorous revelations. Here, opposites seem
to serve each other; they make each other almost sacred. Though
the poems in Ashes in Midair often excavate the otherworldly,
this poignant collection also keeps us faithful to the business
of this world. From first poem to last, from basic hunger to the heightened
fire located in earthy desire, the moments of surrealism and
shaped dualism throughout this wonderful body of work abide in leaps of faith. The accrued, urgent,
penetrating beauty in these poems is a gift."
—Yusef Komunyakaa
"Ashes in Midair is a four part confessional without
the box, lucid monsoon of emotional harmonies, x-ray scenarios, sinister
cages, racing
headless between life and death, voice and shadow. Her poems read like
wicked tarot prophesy, a space where entering names in a book might
save one from discovering that the face of God is never a human
face. Williams is truly a Queen of Wands!”
—Tim
Z. Hernandez,
Author of Skin Tax,
Winner of the American Book Award
“Her poems the stuff of ‘earth and nightmares,’ Susan
Settlemyre Williams’s greatest
gift is in controlling myriad disorientations, her renderings of even fear and
madness
becoming darkly beautiful translations of human experience. Ashes in Midair is
a
splendid, wholly mesmerizing volume.”
— Claudia
Emerson, author of Late Wife, winner of the 2006 Pulitzer
Prize for Poetry
"Few
debut collections can claim the confidence of Susan Settlemyre
Williams’s. With immense technical swagger and a nerviness
that never overpowers her considerable empathy and elegiac tenderness,
Williams investigates both the domestic and the strange. She
is above all a spiritual writer, and—like the best such
writers—understands
that gnosis arrives as much through desecration as through piety. Ashes
in Midair is a stirring, engrossing, and haunted book."
—David
Wojahn,
author of Interrogation Palace: New and Selected Poems, 1982-2004
How
many poets are able to sift the human spirit from the ashes? In Susan
Williams’ beautiful first book, even the
ghostly presences felt in a world’s world of dangers are made
our intimates. What is personal is offered up with such close attention
that, poem after poem, we find ourselves nodding “yes.” Her
fables deliver the concomitant mysteries of appearance and disappearance;
they unveil the shadow of the predator while revealing the fierceness
with which we long to come to terms with its purposes. These poems
remind us that every work of art, even art that acknowledges despair
is, ultimately, an act of hope.
—Jeffrey Levine
"The mythic and the modern speak to each
other in these poems, and sometimes shout, wrestling and clinching
and breaking away.
Our times and all times think they have places for women—holes
to bury them, pedestals to raise them again invisible, newly enveloped
in patinas fashioned to be inescapable—while the work here is
to break free, to answer back every time in language that strikes hammer
blows from within and without. In Susan Settlemyre Williams’s
writing, an earthquake drums the underworld, the empty eye is filled,
and another resurrection begins, Ashes in Midair."
Gregory Donovan
author of Calling His Children Home, senior editor of Blackbird
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BIO
Susan Settlemyre Williams is the author of a chapbook, Possession (Finishing Line Press, 2007). Her poetry has appeared in Mississippi
Review, 42opus, Shenandoah, Sycamore Review, the Marlboro Review, and
diode, among other journals. Her poem “Lighter” won
the 2006 Diner Poetry Contest and was selected for Best New Poets 2006. She holds an MFA from Virginia Commonwealth University and a JD from
the University of Richmond and is book review editor and associate
literary editor of Blackbird. She lives in Richmond, Virginia.
The
finalists:
Rob Cook, The Undermining of the Democratic Club
Veronica Patterson, Thresh and Hold
Renato Rosaldo, Tilt
Sandra Kohler, Unnavigable River
Melissa Fondakowski, Vulnerable Apparatus
Semifinalists
Seth Abramson, The Suburban Ecstasies
Marilyn Annucci, Running Low
Stephanie Brown, Domestic Interiors
Jennifer Chapis, one wing apart
Virginia Chase, Reading Electra To Sleep
Curtis Crisler, Fanatics for Genius
Brent Goodman, The Brother Swimming Beneath Me
Lisa Lewis, Vivisect
Radha Marcum, The Visual River
Carol Quinn, Apostasy
Jendi Reiter, Moments at the Feast
Angela Sorby, Bird Skin Coat
Alice Templeton, Past Eden
Chris Tonelli, The Trees Around
George Young, The Wound Dresser
Many thanks to our great final judge, Yusef Komunyakaa!
We also
wish to thank all of the contest entrants and to congratulate especially
the finalists
and semifinalists.
Notes
on the last book contest from the Poetry Editor [03/17/07]
The
2006 Poetry Book Contest Winner
About
Yusef Komunyakaa
Komunyakaa’s
numerous poetry books include Pleasure
Dome: New & Collected Poems, 1975-1999 (Wesleyan University
Press, 2001); Talking Dirty to the Gods (2000); Thieves
of Paradise (1998), which was a finalist for the National Book Critics
Circle
Award; Neon Vernacular: New& Selected Poems 1977-1989 (1994),
for which he received the Pulitzer Prize and the Kingsley Tufts
Poetry Award; Magic City (1992); Dien Cai Dau (1988), which won
The Dark Room Poetry Prize; I Apologize for the Eyes in
My Head (1986), winner of the San Francisco Poetry Center
Award; and Copacetic (1984).
Komunyakaa
has also published prose, which is collected
in Blues Notes: Essays, Interviews & Commentaries (University
of Michigan Press, 2000). He also co-edited The Jazz Poetry Anthology (with
J. A. Sascha Feinstein, 1991) and co-translated The Insomnia of
Fire by Nguyen Quang Thieu
(with Martha Collins, 1995). His honors include the William Faulkner Prize from the Université
de Rennes, the Thomas Forcade Award, the Hanes Poetry
Prize, fellowships from the Fine
Arts Work Center in Provincetown, the Louisiana Arts Council, and the
National Endowment for the Arts, and the Bronze Star for his service
in Vietnam, where he served as a correspondent and managing editor of The Southern
Cross. In 1999 he was elected a Chancellor of The Academy of
American Poets.
Currently
a professor in the Council of Humanities and
Creative Writing Program at Princeton University, he has
been appointed this year as the Distinguished Senior Poet
on the faculty of New York University’s Graduate Creative
Writing Program, which includes E. L. Doctorow, Paule
Marshall, Sharon Olds, Breyten Breytenbach, and Philip Levine.
•
Visit www.poets.org for poems,
prose, audio and more information about Yusef Komunyakaa.